Die IFMCA ist eine Vereinigung von Filmmusikjournalisten, die sich zum Ziel gesetzt hat, alljährlich Auszeichnungen in diversen Sparten der Filmmusik zu vergeben. Die IFMCA zählt 43 Mitglieder aus unterschiedlichsten Ländern.

INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION
2007 Award Nominations

A – SCORE OF THE YEAR

• ATONEMENT, music by Dario Marianelli
• THE GOLDEN COMPASS, music by Alexandre Desplat
• LUST, CAUTION, music by Alexandre Desplat
• RATATOUILLE, music by Michael Giacchino
• ZODIAC, music by David Shire

B – FILM COMPOSER OF THE YEAR

• ALEXANDRE DESPLAT
• MICHAEL GIACCHINO
• JAMES NEWTON HOWARD
• MARK ISHAM
• DARIO MARIANELLI

C – BREAKTHROUGH COMPOSER OF 2007

• JANE ANTONIA CORNISH for De Fortabte Sjæles Ø (Island of Lost Souls)
• ILAN ESHKERI for Stardust
• JONNY GREENWOOD for There Will Be Blood
• FERNANDO VELÁZQUEZ for El Orfanato (The Orphanage)
• CHRISTOPHER WONG for Journey to the Fall

D – BEST ORIGINAL SCORE FOR A DRAMA FILM

• ANGEL, music by Philippe Rombi
• ATONEMENT, music by Dario Marianelli
• EASTERN PROMISES, music by Howard Shore
• THE KITE RUNNER, music by Alberto Iglesias
• LUST, CAUTION, music by Alexandre Desplat

E – BEST ORIGINAL SCORE FOR A COMEDY FILM

• ENCHANTED, music by Alan Menken
• EVAN ALMIGHTY, music by John Debney
• HOT FUZZ, music by David Arnold
• REIGN OVER ME, music by Rolfe Kent
• TUTTE LE DONNE DELLA MIA VITA (ALL THE WOMEN IN MY LIFE), music by Ennio Morricone

F – BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE FILM

• THE BOURNE ULTIMATUM, music by John Powell
• GHOST RIDER, music by Christopher Young
• LIVE FREE OR DIE HARD, music by Marco Beltrami
• PIRATES OF THE CARIBBEAN: AT WORLD’S END, music by Hans Zimmer
• SPIDER-MAN 3, music by Christopher Young

G – BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION FILM

• BRIDGE TO TERABITHIA, music by Aaron Zigman
• THE GOLDEN COMPASS, music by Alexandre Desplat
• MR. MAGORIUM’S WONDER EMPORIUM, music by Alexandre Desplat and Aaron Zigman
• STARDUST, music by Ilan Eshkeri
• SUNSHINE, music by John Murphy and Underworld

H – BEST ORIGINAL SCORE FOR A HORROR/THRILLER FILM

• EL ORFANATO (THE ORPHANAGE), music by Fernando Velázquez
• FLOOD, music by Debbie Wiseman
• I KNOW WHO KILLED ME, music by Joel McNeely
• SLEUTH, music by Patrick Doyle
• ZODIAC, music by David Shire

I – BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE

• BEE MOVIE, music by Rupert Gregson-Williams
• BEOWULF, music by Alan Silvestri
• GEDO SENKI (TALES FROM EARTHSEA), music by Tamiya Terajima
• MEET THE ROBINSONS, music by Danny Elfman
• RATATOUILLE, music by Michael Giacchino

J – BEST ORIGINAL SCORE FOR A DOCUMENTARY FEATURE

• DARFUR NOW, music by Graeme Revell
• EARTH, music by George Fenton
• IN THE SHADOW OF THE MOON, music by Philip Sheppard
• LA PLANÈTE BLANCHE, music by Bruno Coulais
• LE PREMIER CRI, music by Armand Amar

K – BEST ORIGINAL SCORE FOR TELEVISION

• BATTLESTAR GALACTICA [SEASON 3], music by Bear McCreary
• DOCTOR WHO [SEASON 3], music by Murray Gold
• LOST [SEASON 3], music by Michael Giacchino
• TAE WANG SA SHIN GI (THE STORY OF THE GREAT KING AND THE FOUR GODS), music by Joe Hisaishi
• TIN MAN, music by Simon Boswell

L – BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA

• BIOSHOCK, music by Garry Schyman
• CALL OF DUTY 4: MODERN WARFARE, music by Stephen Barton and Harry Gregson-Williams
• LAIR, music by John Debney
• MEDAL OF HONOR: AIRBORNE, music by Michael Giacchino
• WARHAWK, music by Christopher Lennertz

M – BEST NEW RELEASE/RE-RELEASE/RE-RECORDING OF AN EXISTING SCORE

• ALIEN, music by Jerry Goldsmith – Douglass Fake, Michael Matessino and Nick Redman (producers)
• GODZILLA, music by David Arnold – Ford A. Thaxton and David Arnold (producers)
• THE LORD OF THE RINGS: THE RETURN OF THE KING, music by Howard Shore – Howard Shore, Peter Jackson, Fran Walsh and Paul Broucek (producers)
• THE PRIVATE LIFE OF SHERLOCK HOLMES, music by Miklós Rózsa – James Fitzpatrick (producer)
• THE WIND AND THE LION, music by Jerry Goldsmith – Douglass Fake and Lukas Kendall (producers)

N – BEST FILM MUSIC COMPILATION ALBUM

• AMAZING STORIES: ANTHOLOGY 3, Douglass Fake (producer)
• THE KARATE KID BOX SET, Robert Townson and Bill Conti (producers)
• MAD, MOD & MACABRE: THE RONALD STEIN COLLECTION, Taylor White (producer)
• MIKLÓS RÓZSA: A CENTENARY CELEBRATION, Robert Townson (producer)
• THE UNFORGIVEN: CLASSIC WESTERN SCORES FROM UNITED ARTISTS, Lukas Kendall (producer)

O – FILM MUSIC RECORD LABEL OF THE YEAR

• FILM SCORE MONTHLY, Lukas Kendall
• INTRADA, Douglass Fake
• LA-LA LAND RECORDS, M.V. Gerhard and Matt Verboys
• MOVIESCORE MEDIA, Mikael Carlsson
• VARÈSE SARABANDE, Robert Townson

P – FILM MUSIC COMPOSITION OF THE YEAR

• “Elegy for Dunkirk” from ATONEMENT, music by Dario Marianelli
• “Graysmith Obsessed” from ZODIAC, music by David Shire
• “Last Shift” from LIONS FOR LAMBS, music by Mark Isham
• “Up Is Down” from PIRATES OF THE CARIBBEAN: AT WORLD’S END, music by Hans Zimmer
• “Wong Chia Chi’s Theme” from LUST, CAUTION, music by Alexandre Desplat

Die Sieger werden am 15. Februar bekannt gegeben.
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Philippe Blumenthal