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powerflute.ch - Sandro Friedrich Studiomusiker für ethnische Blasinstrumente

Die IFMCA Sieger

INTERNATIONAL FILM MUSIC CRITICS ASSOCIATION

Die Vereinigung der Filmmusikjournalisten, 43 Mitglieder aus diversen Ländern (für die Cinema Musica sind Mike Beilfuss, David Serong und Philippe Blumenthal dabei), hat die besten Scores des vergangenen Jahres gekürt. Atonement (Dario Marianelli) heisst der Gewinner für die beste Filmmusik 2007. Alexandre Desplat wurde zum Komponisten des Jahres ernannt. Altmeister David Shire erhielt die Auszeichnung für den besten Horror/Thriller Score. Weitere Gewinner und die Nominierten findet ihr untenstehend:

2007 Awards

SCORE OF THE YEAR

ATONEMENT, music by Dario Marianelli

  • THE GOLDEN COMPASS, music by Alexandre Desplat
  • LUST, CAUTION, music by Alexandre Desplat
  • RATATOUILLE, music by Michael Giacchino
  • ZODIAC, music by David Shire

FILM COMPOSER OF THE YEAR

ALEXANDRE DESPLAT

  • MICHAEL GIACCHINO
  • JAMES NEWTON HOWARD
  • MARK ISHAM
  • DARIO MARIANELLI

BREAKTHROUGH COMPOSER OF 2007

ILAN ESHKERI for Stardust

  • JANE ANTONIA CORNISH for De Fortabte Sjæles Ø (Island of Lost Souls)
  • JONNY GREENWOOD for There Will Be Blood
  • FERNANDO VELÁZQUEZ for El Orfanato (The Orphanage)
  • CHRISTOPHER WONG for Journey to the Fall

BEST ORIGINAL SCORE FOR A DRAMA FILM

ATONEMENT, music by Dario Marianelli

  • ANGEL, music by Philippe Rombi
  • EASTERN PROMISES, music by Howard Shore
  • THE KITE RUNNER, music by Alberto Iglesias
  • LUST, CAUTION, music by Alexandre Desplat

BEST ORIGINAL SCORE FOR A COMEDY FILM

ENCHANTED, music by Alan Menken

  • EVAN ALMIGHTY, music by John Debney
  • HOT FUZZ, music by David Arnold
  • REIGN OVER ME, music by Rolfe Kent
  • TUTTE LE DONNE DELLA MIA VITA (ALL THE WOMEN IN MY LIFE), music by Ennio Morricone

BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE FILM

THE BOURNE ULTIMATUM, music by John Powell

BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION FILM

THE GOLDEN COMPASS, music by Alexandre Desplat

  • BRIDGE TO TERABITHIA, music by Aaron Zigman
  • MR. MAGORIUM’S WONDER EMPORIUM, music by Alexandre Desplat and Aaron Zigman
  • STARDUST, music by Ilan Eshkeri
  • SUNSHINE, music by John Murphy and Underworld

BEST ORIGINAL SCORE FOR A HORROR/THRILLER FILM

ZODIAC, music by David Shire

  • EL ORFANATO (THE ORPHANAGE), music by Fernando Velázquez
  • FLOOD, music by Debbie Wiseman
  • I KNOW WHO KILLED ME, music by Joel McNeely
  • SLEUTH, music by Patrick Doyle

BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE

RATATOUILLE, music by Michael Giacchino

  • BEE MOVIE, music by Rupert Gregson-Williams
  • BEOWULF, music by Alan Silvestri
  • GEDO SENKI (TALES FROM EARTHSEA), music by Tamiya Terajima
  • MEET THE ROBINSONS, music by Danny Elfman

BEST ORIGINAL SCORE FOR A DOCUMENTARY FEATURE

EARTH, music by George Fenton

  • DARFUR NOW, music by Graeme Revell
  • IN THE SHADOW OF THE MOON, music by Philip Sheppard
  • LA PLANÈTE BLANCHE, music by Bruno Coulais
  • LE PREMIER CRI, music by Armand Amar

BEST ORIGINAL SCORE FOR TELEVISION

TAE WANG SA SHIN GI (THE STORY OF THE GREAT KING AND THE FOUR GODS), music by Joe Hisaishi

  • BATTLESTAR GALACTICA [SEASON 3], music by Bear McCreary
  • DOCTOR WHO [SEASON 3], music by Murray Gold
  • LOST [SEASON 3], music by Michael Giacchino
  • TIN MAN, music by Simon Boswell

BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA

LAIR, music by John Debney

  • BIOSHOCK, music by Garry Schyman
  • CALL OF DUTY 4: MODERN WARFARE, music by Stephen Barton and Harry Gregson-Williams
  • MEDAL OF HONOR: AIRBORNE, music by Michael Giacchino
  • WARHAWK, music by Christopher Lennertz

BEST NEW RELEASE/RE-RELEASE/RE-RECORDING OF AN EXISTING SCORE

ALIEN, music by Jerry Goldsmith – Douglass Fake, Michael Matessino and Nick Redman (producers)

  • GODZILLA, music by David Arnold – Ford A. Thaxton and David Arnold (producers)
  • THE LORD OF THE RINGS: THE RETURN OF THE KING, music by Howard Shore – Howard Shore, Peter Jackson, Fran Walsh and Paul Broucek (producers)
  • THE PRIVATE LIFE OF SHERLOCK HOLMES, music by Miklós Rózsa – James Fitzpatrick (producer)
  • THE WIND AND THE LION, music by Jerry Goldsmith – Douglass Fake and Lukas Kendall (producers)

N – BEST FILM MUSIC COMPILATION ALBUM

AMAZING STORIES: ANTHOLOGY 3, Douglass Fake (producer)

  • THE KARATE KID BOX SET, Robert Townson and Bill Conti (producers)
  • MAD, MOD & MACABRE: THE RONALD STEIN COLLECTION, Taylor White (producer)
  • MIKLÓS RÓZSA: A CENTENARY CELEBRATION, Robert Townson (producer)
  • THE UNFORGIVEN: CLASSIC WESTERN SCORES FROM UNITED ARTISTS, Lukas Kendall (producer)

FILM MUSIC RECORD LABEL OF THE YEAR

INTRADA, Douglass Fake

  • FILM SCORE MONTHLY, Lukas Kendall
  • LA-LA LAND RECORDS, M.V. Gerhard and Matt Verboys
  • MOVIESCORE MEDIA, Mikael Carlsson
  • VARÈSE SARABANDE, Robert Townson

FILM MUSIC COMPOSITION OF THE YEAR

”Elegy for Dunkirk”, music by Dario Marianelli

  • “Graysmith Obsessed” from ZODIAC, music by David Shire
  • “Last Shift” from LIONS FOR LAMBS, music by Mark Isham
  • “Up Is Down” from PIRATES OF THE CARIBBEAN: AT WORLD’S END, music by Hans Zimmer
  • “Wong Chia Chi’s Theme” from LUST, CAUTION, music by Alexandre Desplat

SPECIAL RECOGNITION

Marc Shaiman & Scott Wittman für HAIRSPRAY